But Baker was increasingly plagued by depression and hallucinations and attacked her friend Grace McKee with a knife in January 1935-weeks after Norma told her mother that their male tenant upstairs had tried to molest her.īaker was institutionalized and would be in and out of hospitals for the next 30 years. In 1933 she bought a home in Hollywood and she and her daughter moved in, renting out the upstairs to a British couple. Real life: Norma and her mother lived with Albert and Ida Bolender, the couple who took her in as an infant, for almost seven years, which allowed Baker the freedom to be able to work and save some money. The child runs to the neighbors' apartment, her mother is taken away to a mental hospital, and Norma is soon dropped off at an orphanage. In fact, per Summers, two weeks after their road trip, Skolsky started to recount his adventure with Monroe and Lytess stopped him to say she'd had the same adventure.ĭid Marilyn Monroe's Mother Try to Kill Her?īlonde: Among various warning signs, including her delusion that Norma's father is a Hollywood tycoon who lives up in the hills, Gladys-who blames the child for her father walking out on them-attacks her. Keith Badman's The Final Years of Marilyn Monroe recounts her going out to Palm Springs with her drama coach, Natasha Lytess, and Lytess saying that Monroe called her purported dad from the road, and that's when he told her he had a family and couldn't see her-but he would call her. Numerous friends had heard Monroe say different things about her father over the years, including that he was dead. I don't want any trouble."Īnd yet Skolsky couldn't say for sure whether she had talked to anybody. When Monroe came back to the car, Skolsky recalled, she told him her "son-of-a-bitch" father had said to her, "Listen, Marilyn, I'm married, I have children. But per Anthony Summers' 1985 book Goddess: The Secret Lives of Marilyn Monroe, the actress drove out toward Palm Springs with gossip columnist Sidney Skolsky in 1950, telling him they were going to visit her dad. They parked near a farmhouse. It's unclear just how Monroe discovered Gifford's existence. But Blonde is trauma on parade, the horrors of her life cranked up to 11 as the film plumbs the ways the consistently underrated actress was exploited, violated and abused while simultaneously becoming one of the most enduring stars in Hollywood history. It's unlikely anyone is sitting down these days to watch or read about Monroe expecting a feel-good story. She's grappling with, and we're grappling with, the image of her life." "It's about the image as much as the person. "It's a dream film about Marilyn Monroe," writer-director Andrew Dominik explained in a Netflix interview. Meaning, though it certainly draws from true, well-chronicled events, many of them caught on camera, Blonde is not a biopic. Not that you should believe Blonde, the hotly anticipated film starring Ana de Armas that's based on Joyce Carole Oates' 2000 novel of the same name, a book the author described as "a radically distilled 'life' in the form of fiction." If you believe Blonde, Marilyn Monroe never had a moment's happiness in her all-too-short life.
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